American soprano Melissa Davis is a frequent performer of operatic, musical theatre and art song repertoire. She has performed throughout the United States as well as in Australia, Asia and Europe.
Notable roles include Krysia (Two Remain), Stephanie (To Hell and Back), Amy (Little Women), Pamina (Magic Flute), Susanna (Le Nozze di Figaro), Gretel (Hansel and Gretel), Hermia (The Fairy Queen), Sophie (Werther), Abigail (The Crucible), Adele (Die Fledermaus), Mabel (Pirates of Penzance), Josephine (HMS Pinafore) Yum-Yum (Mikado), Katherine McGowan (Titanic), Jenny (Company), Nellie Forbush (South Pacific), Rapunzel (Into the Woods), and Anna Held (Tintypes).
Her devotion to the genre of art song has led to extensive research and performance of American art song repertoire. She recently premiered a new work by acclaimed composer Jake Heggie titled Could it be Madness–This?, on the poems of Emily Dickinson. She also premiered Sebastian Birch’s Three Songs from “Orpheus & Echo,” which were dedicated to her. Her recent album Glass Ceilings: Song Cycles of Jake Heggie, which is a collaboration with her husband, pianist Jerry Wong, was released on the MSR label in 2021.
Ms. Davis is the creator and Artistic Director of Nightingale Opera Theatre. Since the inception of the company in 2012 she has been working to provide artistic and accessible opera to Northeast Ohio audiences. She has produced several operas including: Street Scene (Kurt Weill) Werther (Massenet), The Scarf (Hoiby), Orpheus and Euridice (Gordon), Hansel and Gretel (Humperdinck), Elixir of Love (Donizetti), Little Women(Adamo), and The Consul (Menotti). She has created and produced several Young Artist programs as well as an opera program for young children called Little Nightingales.
She received a Bachelor of Music degree and a Master of Music degree in Vocal Performance from Kent State University. She received a second Master of Arts degree in Vocal Pedagogy along with a Singing Health Specialization Certificate from The Ohio State University. Specific areas of research include Vocal Health, Voice Disorders and Performance Anxiety. She served on the voice faculty at Kent State University for ten years where she enjoyed teaching classes in Vocal Pedagogy, Song Literature and Diction, while maintaining a large voice studio.
She is currently a PhD candidate in performance at the University of Melbourne Conservatorium of Music where she is also a member of the vocal staff. She maintains her position as Artistic Director of Nightingale Opera Theatre in the United States.
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